Archive for December, 2007
Sir Colin has a long history with L’enfance du Christ. He made his first recording of it in 1960 at the age of 34. It was well-received in its time and is still respected today, but the current performance, part of the London Symphony Orchestra’s brilliantly successful series of live concert recordings made in the renovated and sonically improved Barbican Hall, is an absolute triumph.
The pleasant, but potentially mind-numbing routine of holiday entertainment was relieved most satisfyingly this past weekend by Dialogue One, a new international theater festival of solo performances at Williams College. Its founder, Omar Sangare, Assistant Professor of Theater at the College is to be thanked warmly for this serious and extremely stimulating festival, which will be an annual event. It consists of an evening of performances by four of Professor Sangare’s students, Mme. Tussaud, LIVE, which took place on Thursday evening and was repeated on Friday and a day of performances by professional actors from New York, Chicago, and Germany. The festival concluded with a ceremony at which three prizes were awarded by a jury consisting of Williams faculty and students as well as outsiders, one for a student performance, another for a domestic performer, and the third for an international performer. The solo performances were without exception serious, even intensely so, and they provided some extremely welcome intellectual ballast for the season. We had an opportunity to appreciate the impressive talent which exists among the Williams students, both as actors and writers, and to see some of the best and brightest among the young professional actors, who are working in this extremely challenging genre. These were joined by a distinguished mature actor from Poland, Herbert Kaluza, who has been working in Germany in recent years. His linguistic abilities had ample scope in the quadrilingual version of Isaac Babel’s “The Story of my Dovecote.” Americans get regrettably little exposure to theater in other languages, and this solo performance brought together the distinguished traditions of Poland and Germany in a concentrated and accessible form. And what a powerful contrast to the American approaches we’d seen earlier in the day!
Music Mountain: the Triton Trio, William Purvis, Michae Lee, and Ani Kavafian play Mozart, Schumann, Brahms and Ligeti; preview of upcoming concert at Yale
Music Mountain offers gift vouchers…and a reminiscence of Brahms, Ligeti, Schumann, and Mozart by the Triton Trio. William Purvis, Ani Kavafian, and Mihae Lee at Gordon Hall (Sept. 9, 2007), with preview of the concert, Dec. 11, 2007, in Morse Recital Hall in Sprague Hall, Yale University, 470 College Street, New Haven. A recent announcement by Music Mountain […]
Herbert Matter recalled that in 1942, when they first met over dinner, Jackson Pollock said to him, “It’s a really wonderful time to be living.” He added,“That gave us plenty to think about the rest of the evening.” I wonder how many people would say that today. For my part, after rehearsing a string of problems and miseries irrelevant to the present topic, the amazing exhibition, Pollock Matters, which closes this Sunday (December 9) at the McMullen Museum of Boston College, I would say that we take controversy too seriously. As the debates among the presidential candidates drivel on in equivocation, and the incumbent goes about his work of ruining the country, those Americans who are interested in one of their country’s greatest painters may or may not find themselves sufficiently clear-headed to realize that this exhibition has been so much wrapped up in controversy, that few see its real issues or even care about them. It concerns the discovery of a cache of small experimental works, according to a label made by their owner, Herbert Matter, in 1958, the work of Jackson Pollock, and the collision of the discoverer, Matter’s son, Alex, with the blue-chip institution established by Pollock’s widow.
Richard Long – Walking and Marking – National Galleries of Scotland 30th June to 21st October 2007 – Part III of a series (Edinburgh Walks)
Setting off alone along the now familiar route down Henderson Row past a silent Academy, now in break, I savored a sense of purposefulness and anticipated my visit to the Richard Long show at the NGS Modern Galleries, their major exhibition of the year, open for the Festival, and an important one for Long as well. He hasn’t had an exhibition of this size in Britain in over fifteen years. I also relished another walk along the Water of Leith. Crossing unnecessarily over to elegant and brightly sunlit Dean Terrace, I crossed back at the bridge and descended into the path just before St. Bernard’s Well, a sulfurous source discovered in the mid-eighteenth century and decorously enclosed in a pump house designed by Alexander Naismyth, following the circular design of the Temple of the Sibyl at Tivoli, a favorite destination on the Grand Tour. A statue of Hygieia stands within ten Tuscan columns, a sober northern interpretation of the original’s Corinthian order.