Victoria Martino is a magna cum laude graduate of Harvard University and the University of California. A specialist in interdisciplinary studies, she has academic degrees in art history, literature and music. She has curated numerous international exhibitions, and has published over sixty catalogue essays and scholarly articles in more than six languages on artists and composers, including Wassily Kandinsky, Arnold Schoenberg, Jackson Pollock, Richard Pousette-Dart, Sean Scully, Mimmo Paladino, John Baldessari, Josef Capek, and Zoran Music, among many others. An art, music, dance and theater critic, she has been a regular contributor to THE Magazine and various journals in Europe. Ms. Martino has participated in numerous international scholarly symposia and lectured widely. She has taught music, art history, and innovative humanities courses at universities in Australia and the United States. As a violin soloist and chamber musician, she has performed throughout Europe, Australia, Japan, and North America. A specialist in early and contemporary performance practice, Ms. Martino has a broad repertoire spanning six centuries. She is internationally known for her monographic performances (“marathons”) of the complete works for violin by various composers, including Bach, Handel, Mozart, Beethoven, Mendelssohn, and Schumann. Ms. Martino has presented a number of interdisciplinary programs (lecture-concerts) in conjunction with exhibitions at many international institutions, including the Guggenheim Museums of New York, Bilbao, and Berlin, the National Art Gallery of Victoria (Australia), the National Art Gallery of Ontario (Canada), the National Art Gallery of Slovenia, the Museum of Western Art in Tokyo, the Albertina in Vienna, the J. Paul Getty Museum and MOCA Los Angeles, to name only a few. Since 2004, she has presented an annual subscription lecture-concert series on the interrelationship between music and art throughout history at the Athenaeum Music and Art Library in La Jolla, California.