Elliott Carter, who died on November 5 a little over a month before his 104th birthday, wrote music that is tough to love: it can be thorny, knotty, dense, complex, brainy, abstract, atonal, harsh, jagged, and sometimes genuinely off-putting. It has no intention of seducing listeners, of attracting love through flattery, cajolery, putting on a song and dance, of singing “let me entertain you.” It is also prismatically colorful, rich in varied gestures, dazzling, continuously stimulating, full of the liveliest contrasts, always connected to human utterances, capable of suggesting a complete personality in micro-seconds. Its complexity is layered, and every layer speaks in a different voice, each voice constantly modulating itself in response to the others in ways that often seem all-too-human, reacting defensively, opposing, ignoring, or criticizing, harping, deploring, chuckling ironically, cackling, and on occasion, agreeing.
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Elliott Carter (1908-2012)[/caption]
Larry Wallach is a pianist, musicologist, and composer who lives in Great Barrington, Massachusetts and heads the Music Program at Simon’s Rock College of Bard. He has also taught composition at Bard College. He studied piano privately with Henry Danielowitz and Kenneth Cooper, and was trained at Columbia University where he studied music history with Paul Henry Lang, performance practices with Denis Stevens, and composition with Otto Luening, Jack Beeson, and Charles Wuorinen. He earned a doctorate in musicology in 1973 with a dissertation about Charles Ives. In 1977, he was awarded a grant to become part of a year-long National Endowment for the Humanities seminar at the University of North Carolina directed by William S. Newman, focussing on performance practices in earlier piano music. He went on to participate in the Aston Magna Summer Academy in 1980, where he studied fortepiano with Malcolm Bilson, both privately and in master classes.
Larry Wallach has been an active performer of chamber music with harpsichord and piano, and of twentieth century music. He has collaborated with harpsichordist Kenneth Cooper, with recorder virtuoso Bernard Krainis, with violinist Nancy Bracken of the Boston Symphony, with violinist/violist Ronald Gorevic, with gambist Lucy Bardo, and with his wife, cellist Anne Legêne, performing on both modern and baroque instruments. He has appeared with the Avanti Quintet, the New York Consort of Viols, and is a regular performer on the “Octoberzest” series in Great Barrington. He has been on the staffs of summer early music workshops at World Fellowship and Pinewoods Camp.
In 1996, he presented a program at the Bard Music Festival devoted to Charles Ives designed around a performance the composer’s Second Violin Sonata along with all the source tunes that are quoted in it. Part of this program was repeated at Lincoln Center in NY. He has also appeared on programs in Washington DC, and at St. Croix VI. As a composer, his works have been heard in New York, Boston, Amherst, the Berkshires, and at Bard College.