Loading...

Month: October 2017

Kiss Me Kate at the Barrington Stage Company

Just reading the program builds anticipation for the Barrington Stage Company production of Kiss Me Kate. The songs listed—“So In Love,” “I Hate Men,” “Wunderbar,” “Too Darn Hot”—are among the best from Broadway’s golden age. The first number, “Another Op’nin’, Another Show” adds more anticipation. Then the show builds and builds and builds until it is, unfortunately, way over the top. Barrington Stage Company, always so reliable for exceptional musical theatre, this year embellished a Cole Porter gem. They shouldn’t have. Kiss Me Kate gleams on its own.

Nancy Salz

About Nancy Salz

Nancy Salz is a freelance writer living in Stockbridge, MA. She writes primarily on the arts for the Berkshire Review, the Advocate Weekly and other publications.

The New Opera to Present Bizet’s Carmen at Chapin Hall, Williams College, June 28 at 8 pm

The New Opera to Present Bizet’s Carmen at Chapin Hall, Williams College, June 28 at 8 pm

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, Il Museo di Roma a Trastevere, etc. and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

A Singer’s Notes 86 – Shakespeare’s Will at S & Co. and the Passing of a Great Baritone

An act of courage is required from anyone who tries to write about Shakespeare’s wife, Ann Hathaway. There is virtually no first-hand material and acquaintances are not always reliable. Friends like Ben Jonson both praised and decried Shakespeare at different times, and to top it all off he ended up being the main mover and shaker behind the First Folio. So hats off to Vern Thiessen for having the courage in Shakespeare’s Will, now playing in Lenox at Shakespeare and Company, to make something large out of very little indeed.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A tip for our readers: How to get the most out of New York Arts and The Berkshire Review for the Arts.
What if I hate reading on computer screens, even tablets?
We get occasional inquiries from readers about whether we plan to launch a print edition of our arts journals. The answer is that we've given it some thought, and we're still thinking about it.
It is not only our older readers who object to reading them online. There are even some millennials who would rather read from paper. One of our readers got the simple idea of using the sites as sophisticated tables of contents. She prints out each article on three-hole paper and files them in a loose-leaf album. I've devoted a lot of time to finding the very best print and pdf facility there is. Just click on one of the icons at the top right of the article and print!
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.