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Month: October 2017

An explosion of music in the Berkshires: Leon Botstein and The Orchestra Now and Arthur Greene, Pianist, at Simon’s Rock; Ensemble Nieuw Nederland at the Roe-Jan Library, Hillsdale, NY

This coming weekend there will be an explosion of music in the Berkshires! and I can strongly recommend three concerts taking place on Friday evening, Saturday afternoon, and Sunday afternoon. They are all free, but there is a suggested $10. donation for Saturday afternoon. Read on…

About Laurence Wallach

Larry Wallach is a pianist, musicologist, and composer who lives in Great Barrington, Massachusetts and heads the Music Program at Simon’s Rock College of Bard. He has also taught composition at Bard College. He studied piano privately with Henry Danielowitz and Kenneth Cooper, and was trained at Columbia University where he studied music history with Paul Henry Lang, performance practices with Denis Stevens, and composition with Otto Luening, Jack Beeson, and Charles Wuorinen. He earned a doctorate in musicology in 1973 with a dissertation about Charles Ives. In 1977, he was awarded a grant to become part of a year-long National Endowment for the Humanities seminar at the University of North Carolina directed by William S. Newman, focussing on performance practices in earlier piano music. He went on to participate in the Aston Magna Summer Academy in 1980, where he studied fortepiano with Malcolm Bilson, both privately and in master classes.

Larry Wallach has been an active performer of chamber music with harpsichord and piano, and of twentieth century music. He has collaborated with harpsichordist Kenneth Cooper, with recorder virtuoso Bernard Krainis, with violinist Nancy Bracken of the Boston Symphony, with violinist/violist Ronald Gorevic, with gambist Lucy Bardo, and with his wife, cellist Anne Legêne, performing on both modern and baroque instruments. He has appeared with the Avanti Quintet, the New York Consort of Viols, and is a regular performer on the “Octoberzest” series in Great Barrington. He has been on the staffs of summer early music workshops at World Fellowship and Pinewoods Camp.
In 1996, he presented a program at the Bard Music Festival devoted to Charles Ives designed around a performance the composer’s Second Violin Sonata along with all the source tunes that are quoted in it. Part of this program was repeated at Lincoln Center in NY. He has also appeared on programs in Washington DC, and at St. Croix VI. As a composer, his works have been heard in New York, Boston, Amherst, the Berkshires, and at Bard College.

Shakespeare and Company Benefit: Hamish Linklater and Lily Rabe in Richard III.  October 10th at 2:00.  Be there!

Is Shakespeare loquacious? Reading the last pages of Richard III one might think so. King Richard speaks his way into oblivion.
He seems to be made of words—his actions secondary, the description being all. This, after all, is a character who succeeds in wooing a widow over the coffin of a close relative, and after the deed, tells us about it as if we didn’t get it the first time. His comeuppance arrives eventually, and true to form, he is ready with a virtuoso description of the situation. He is always and everywhere a soliloquist. Richard’s words are a virtuosity. Hamlet’s words are long-considered, pondered. Richard finds his demise at least as theatrical as his life, and when the end comes, Marlovian rant rules. Needless to say, this requires spectacular acting.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 116: the Wonderful Frank Kelley’s Schubert, Peter Schaffer and Paul Rudnick in Vermont

Let me say at the outset that Frank Kelley is one of my favorite singers. His sound is his own. Valuable singers sound like themselves, and no other. Mr. Kelley is a generous performer He gives it all he’s got. In this regard he reminds me of the great Norman Treigle. It was a frightening experience to be on stage with Treigle. So great was his concentration, you feared for him, and you feared for yourself. Mr. Kelley is a born story-teller.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 115: Red Velvet and Claire de Lune on the Radio

Another first-rate show from The Comedy of Errors actors at Shakespeare and Company. With effortless mutability the bunch took up a drama of great seriousness by Lolita Chakrabarti. John Douglas Thompson, great actor that he is, joined and performed the role of Ira Aldridge to perfection. Wonderful about this production was the way theatre itself became the story, and the story became theatre.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

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