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Month: November 2016

Rattle and the Berlin Philharmonic: A musical experience of a lifetime

After the stunning concert with Simon Rattle leading the Berliner Philharmoniker at Boston’s Symphony Hall—Pierre Boulez’s scintillating Éclat followed (without intermission) by Mahler’s black sheep Symphony No. 7—I couldn’t stop shaking. There’s a lot of good music in Boston, but this was different—on a whole other level. And the audience knew it, felt it. Wasn’t it just what we needed to hear after the bruising election? People were not only cheering but weeping and hugging each other.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, Il Museo di Roma a Trastevere, etc. and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

A Singer’s Notes 130: Peter and the Starcatcher at Hubbard Hall

Soooo, we are riding through a dark night, much too dark for late fall, to beautiful Hubbard Hall in Cambridge, New York. It looks warm, it smells warm, it is warm. When we got there, took our seats, we saw what very well may be the most intricate piece of theater ever played on this stage. I’m talking about Peter and the Starcatcher, a prequel to Peter Pan,

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

Singer’s Notes 129: The Consul, the Tramp, and America’s Sweetheart at Oldcastle; Hamlet at Shakespeare & Co.; Kožená at Union College

Yet another success for this Company. There was vivid acting. Elizabeth Aspenlieder, as Mary Pickford, is an arresting actress, her voice resonant, her intentions clear. Ms. Aspenlieder enlivens every role she takes. She makes the character happen. There was an exceptional performance from David Joseph in the role of Charlie Chaplin. His work on the role, particularly the physical aspect of the character had a completeness which he imagined carefully and made his own.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

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