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The Berkshire Review for the Arts is ready for the 2013 season!

Tanglewood: The Highwood Garden. Photo © 2009 Michael Miller.
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Tanglewood: The Highwood Garden. Photo © 2009 Michael Miller.
Tanglewood: The Highwood Garden. Photo © 2009 Michael Miller.

If the Berkshire Review appears to have been rather quiet lately, that is because New York Arts, as of the beginning of 2013, has taken over the international coverage that formerly occupied The Berkshire Review, which has returned to its roots as a local arts journal devoted on the great summer festivals of the Berkshires. While some of these—Aston Magna and Tannery Pond—have begun to simmer already in June, they will spring into full life with the American national holiday on July 4th—and so will the Berkshire Review! You can look here for everything related to the summer festivals of Western New England in the larger sense, that is, from the Hudson River eastwards, from southern Vermont to northern Connecticut. For events closer to New York, like Caramoor, Bard Summerscape, and Glimmerglass, look to New York Arts, although Bard may well be cross-posted, because many people to travel there from the Berkshires.

We have rich offerings to look forward to this summer. The Berkshire Review will report on as much as we possibly can.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, Il Museo di Roma a Trastevere, etc. and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

A tip for our readers: How to get the most out of New York Arts and The Berkshire Review for the Arts.
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We get occasional inquiries from readers about whether we plan to launch a print edition of our arts journals. The answer is that we've given it some thought, and we're still thinking about it.
It is not only our older readers who object to reading them online. There are even some millennials who would rather read from paper. One of our readers got the simple idea of using the sites as sophisticated tables of contents. She prints out each article on three-hole paper and files them in a loose-leaf album. I've devoted a lot of time to finding the very best print and pdf facility there is. Just click on one of the icons at the top right of the article and print!
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