The Berkshire Review on the West Coast
One of the joys with a visiting orchestra is to experience new sonorities—to be swept richly downward, perhaps, to unanticipated string depths—to hear brass playing grainier or more golden than you thought possible in the hall—or wind passages lighter and more personal than you might have dreamed. More importantly, you come to sense the ensemble’s psychology, as individual in its way as the conductor’s. Listen to an orchestra like the Mariinsky, and you experience shivers of delight. How Russian it seems!
Here we are, a hundred years later, and so much of Claude Debussy’s music still beguiles with its freshness! As Michael Tilson Thomas led the San Francisco Symphony through an accomplished performance of Jeux last Sunday, I was reminded how much the daily bread of sound in our own lives comes from Debussy’s late style.
There is always something a little peculiar about opening week at the San Francisco Symphony. Audiences have been away for the summer and are distractible. The orchestra may sound a bit less used to itself than usual. Sunlight in the lobby is still too bright for anyone to settle down. And programming commonly amounts either to a Gala smorgasbord or a visit to Denny’s, but seldom manages subtlety for musical gourmets. No different this year, but with a few wacky touches from the peanut gallery — about which more in a moment.
Michael Francis Conducts the San Francisco Symphony in “My Classic Americana,” With Pianist Charlie Albright in His San Francisco Debut
It’s silly season again at the San Francisco Symphony! A quick report from the front. And a debut teaser for later. Do we have a new Horowitz?
In perfect weather, with no need for a sylvan retreat, we San Franciscans simply shine a colored spotlight on the Davies Hall organ pipes in July, and Presto, music becomes festive! “My Classic Americana” is one of several programs containing well-known works Michael Francis has been leading this summer, with super zest and limited rehearsal. At times he’s got us clapping along in such good spirits, we might as well be at the Albert Hall Proms. The young Englishman has now conducted several summer seasons in San Francisco and is a great hit with our audience, bringing just the right touch of knowing wit, uncomplicated musicality, good spirits and schoolboy snark to the proceedings.
More in this category
- The Philadelphia Orchestra at Davies Hall — A Great Legend Intact — Two Concerts
- Verdi’s Attila at the San Francisco Opera
- Nixon in China at the San Francisco Opera
- Mozart’s Magic Flute, a New Production at the San Francisco Opera, designed by Jun Kaneko