L’Italia nella Berkshire Review
If you ever need proof of Shakespeare’s universal appeal, stop by Rome’s Globe Theatre. Within a single evening you’ll be convinced that the Bard, disarmed of dactylic hexameters, can still speak to everyone and anyone.
All the more so to Italians when it comes to As You Like It (Come vi piace). Their temperament — irascible, passionate, effusive — stands opposite that of the English but squares precisely with what Shakespeare wanted to lampoon in this subtle masterpiece. Rosalind (Melania Giglio) is so sickly in love with Orlando (Daniele Pecci) that she can barely maintain her act as “Ganymede” in his presence. Duke Frederick (Nicola D’Eramo) hates his brother (also played by D’Eramo) so fiercely that anyone who reminds him of Duke Senior is mindlessly banished from the dukedom. Silvius (Patrizio Cigliano) dotes on Phebe (Barbara Di Bartolo) so cloyingly that the audience would gladly join her in strangling him if only he weren’t so hysterically funny. Each character is a caricature of Italian emotional excess, and no one can make fun of emotional excess better than the excessively emotional Italians.
Since the Mona Lisa affair was reported, other petitions and protests have emerged. Earlier this month (September 17) the protests agains the huge cruise ships that pass through the lagoon in Venice were renewed with vigor. The invaluable Tomaso Montanari has organized a petition against the privatization of the Brera in Milan. At the beginning of the month, in the United States, the New York Times demoted Allan Kozinn, one of its more intelligent music critics, who has been writing for them since 1977 and a staff member since 1991. He is now a “general cultural reporter.” Norman Lebrecht, who announced the bad news, received an avalanche of mostly angry and disgusted comments. Petitions were organized on Facebook, urging the Times to change their mind…but to no avail. Kozinn’s gone. For some years it has been hard to imagine that once upon a time Paul Griffiths wrote music criticism for The New York Times, and both he and Andrew Porter for The New Yorker.
In a part of Florens 2012, the academics, business figures, and other experts who attend will explore the subjects developed two years ago, within a wide-ranging scheme, specifically tailored for this meeting, mainly the theme: “from the Grand Tour to the Global Tour.” Fundamentally, the way the world perceives Italy and enjoys the many extraordinary things the country has to offer descend from the Grand Tour, the capstone of an English aristocrat’s education beginning in the sixteenth century and continuing on into our own time, however much its character has been democratized in the twentieth century.
The Adoration of the Magi by Bartolo di Fredi: A Masterpiece Reconstructed at the University of Virginia Art Museum and the Museum of Biblical Art in New York – A Review
The Adoration of the Magi by Bartolo di Fredi: A Masterpiece Reconstructed is a what museum people call a focus exhibition. It is built around a single work of art in a museum’s collection, supplemented by other works which cast light on one or more aspects of the work. For the museum, it is an opportunity to take the work out of its usual context in the gallery and to direct the visitor’s attention towards that one individual work and its own historical context.This rich exhibition had several themes: the reconstruction of the dismembered work of art, the re-evaluation of the artist who created it, the Sienese master Bartolo di Fredi, the date, the patron, and the original location of the work. This small, but ambitious exhibition goes beyond even this. Through a series of thumbnail biographies, it provides the reader with a guide to Sienese painting in the decades following the Black Death, a period which remains underestimated and comparatively little-known. The exhibition catalogue would make an instructive companion to a visit to the Siena Pinacoteca and the churches of the city.
More in this category
- Can statistics and digitized procedural rules create reality in the arts…perhaps with a bit of Barnumesque assistance? The Official Recommendations of Florens 2010…
- The target areas established by Florens 2010 and proposals for solutions
- Bomarzo tra il Santo Biscotto e la Fava Marxista: 23-25 March 2012
- Leonard Freed, The Italians (Io amo l’Italia), exhibition now at Ersel, Torino, until July 31, 2012