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A Singer’s Notes by Keith Kibler rss

Tamara Hickey as Ariel and Nigel Gore at Prospero in Shakespeare's The Tempest.

A Singer’s Notes 138: A Comedy of Tenors at Oldcastle — More on Gore’s Prospero(0)

September 20, 2017

The Tempest

I must say once more how much Nigel Gore’s Tempest at Shakespeare and Company has meant to me. He helped me to see what it really is. His loneliness dominated, and this was right. I will take this performance as a model of for my adventures on stage, and I thank him.

Nigel Gore as Prospero. Photo Stratton McCrady

A Singer’s Notes 137: The Tempest, at Shakespeare and Company

On Wednesday evening, Nigel Gore’s Prospero gave me The Tempest I have been waiting for. First, and not least, his performance was consistent. I have long waited for a performance that showed the profound loneliness of this character. A temperament carefully hidden makes it clear.

Tamara Hickey and Thomas Brazzle. Photo Stratton McCrady.

A Singer’s Notes 136: Cymbeline at Shakespeare and Company; Elgar at Tanglewood

For me Cymbeline is all about the new Blackfriars Theater, an enclosed space, a place to speak quietly, a place lit by candles, a space that found William Shakespeare buying a house in the vicinity, a space for a riot of inventiveness, revived for us by Tina Packer. Think of the bedroom scene where Iachimo examines the sleeping Imogen. This scene played in The Globe would surely have produced some less than elegant speech from the crowd. Shakespeare and Company’s production chose something of a middle way, a humorous assault on Imogen’s person, which must have played better in the Blackfriars Theater, the audience being genteel, and their number being small.

Paul Romeo and Nathan Stith in Oldcastle Theatre Company's production of " Moonlight and Magnolias,

A Singer’s Notes 135: Moonlight and Magnolias at Oldcastle Theatre and the Chiara String Quartet at Mohawk Trail Concerts

In a play that basically pursues one action only, that of completing a script for the film of Gone With the Wind, four excellent actors kept us laughing. There was certainly excess in virtually every aspect of the performance, but it was funny excess.


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