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Category: A Singer’s Notes by Keith Kibler

music, theater, opera, song

A Singer’s Notes 140: The Last Wife, by Kate Hennig; directed by Kelly Galvin – WAM Theatre at Shakespeare & Co.’s Bernstein Theater

I have been a fan of Kelly Galvin ever since her wonderful performance as Madame de Tourvel in Dangerous Liaisons with Shakespeare and Company, years ago. The detail alone in Ms. Galvin’s performance was stunning. Even more impressive now is her direction of Kate Hennig’s The Last Wife, produced by WAM Theatre in Shakespeare and Company’s Bernstein Theatre. The simple set focused our attention—a simple backdrop, a pull-out bed with ample drawers.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 139: Neil Simon’s Broadway Bound at the Oldcastle

Another excellent evening in the Oldcastle Theatre in Bennington. A uniformly fine and balanced cast riveted my attention in Neil Simon’s Broadway Bound. The cast expressed the shape of this play with uncanny skill. I can imagine it seeming long, but not with these wonderful players.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 138: A Comedy of Tenors at Oldcastle — More on Gore’s Prospero

The Tempest

I must say once more how much Nigel Gore’s Tempest at Shakespeare and Company has meant to me. He helped me to see what it really is. His loneliness dominated, and this was right. I will take this performance as a model of for my adventures on stage, and I thank him.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 137: The Tempest, at Shakespeare and Company

On Wednesday evening, Nigel Gore’s Prospero gave me The Tempest I have been waiting for. First, and not least, his performance was consistent. I have long waited for a performance that showed the profound loneliness of this character. A temperament carefully hidden makes it clear.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 136: Cymbeline at Shakespeare and Company; Elgar at Tanglewood

For me Cymbeline is all about the new Blackfriars Theater, an enclosed space, a place to speak quietly, a place lit by candles, a space that found William Shakespeare buying a house in the vicinity, a space for a riot of inventiveness, revived for us by Tina Packer. Think of the bedroom scene where Iachimo examines the sleeping Imogen. This scene played in The Globe would surely have produced some less than elegant speech from the crowd. Shakespeare and Company’s production chose something of a middle way, a humorous assault on Imogen’s person, which must have played better in the Blackfriars Theater, the audience being genteel, and their number being small.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 135: Moonlight and Magnolias at Oldcastle Theatre and the Chiara String Quartet at Mohawk Trail Concerts

In a play that basically pursues one action only, that of completing a script for the film of Gone With the Wind, four excellent actors kept us laughing. There was certainly excess in virtually every aspect of the performance, but it was funny excess.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 134: BEMF intertwines two Pergolesi farces and sublime singing from Dominique Labelle at Aston Magna.

This performance was a frolic. It displayed a combination of two quite different buffo operas, and yes, it worked. Pergolesi’s La Serva Padrona and Livietta e Tracollo combined, found a zany success. I had my doubts at first, but was laughing my head off soon enough. The better-known of the two, La Serva Padrona, revolves around the character Uberto, a pomposo, energetically sung by Douglas Williams. Sad Tracollo was sung winningly by Jesse Blumberg.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 133: The Bookclub Play and Shakespeare’s Cymbeline, coming up at Shakespeare and Company

The Bookclub Play Karen Zacarias’s The Bookclub Play at Hubbard Hall was rather like a sporting event. There were jabs and plenty of taunting throughout the farce. Like most comedies [ … ]

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

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