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Tracy Letts’ August: Osage County, directed by Omar Sangare, at Williams College(Comments Off on Tracy Letts’ August: Osage County, directed by Omar Sangare, at Williams College)

May 15, 2017

Every spring for some years now the brilliant Polish actor-director-playwright-poet Omar Sangare has created extraordinary productions at the ‘62 Center for the Performing Arts with his acting students at Williams College, and they keep on getting better. All of them have been highly unusual. There was a double-cast A Streetcar Named Desire: by that I mean that it was performed by two separate casts almost, but not quite simultaneously. Far from an weird distraction, the device emphasized the universality of the play…and gave the many interested student actors a chance to perform.

Elizabeth Aspenlieder and David Joseph in The Consul, The Tramp, and America's Sweetheart at the Oldcastle Theatre Company.

The Consul, the Tramp, and America’s Sweetheart, by John Morogiello, at the Oldcastle Theatre Company, Bennington

The Oldcastle Theatre Company is one of the most appealing in the Berkshires, which, culturally, extends from northwestern Connecticut to Dorset and Weston, Vermont. Downtown Bennington has a unique feeling to it—small-town in the best sense—and is home to a respectable array of bars and restaurants for audiences to enjoy anticipation or a cool-down before or after the show. Keith Kibler has been chronicling and enjoying—very much—Oldcastle’s productions for some years on our site, and I was happy finally to catch a show myself.






Gilbert and Sullivan's The Pirates of Penzance at the Barrington Stage Company. Photo Kevin Sprague.

​Gilbert and Sullivan’s Pirates of Penzance at Barrington Stage

John Rando and Joshua Bergasse are ingenious at moving ensembles around a stage—be they orphan pirates, lovelorn young ladies or frivolous policemen. Pirates leap onto rope nets strung down from the top of the theater; they crawl down the aisles at our feet, swords in hand. Young ladies sidestep closely together as they pine in song for young men to be their husbands. Uniformed policemen hop onto each other’s backs or fall down onto the stage dominos style all the while delighting the audience into non-stop grins.






Stephen Sondheim’s Sweeney Todd at Glimmerglass

Sweeney Todd, The Demon Barber of Fleet Street is dark, dark musical theatre. A vengeful barber returns to Victorian London, slits the throats of those who have wronged him and with his accomplice turns their bodies into the stuffing of meat pies. Todd’s London is as menacing as he is …

“There’s a hole in the world
Like a great black pit
And it’s filled with people
Who are filled with shit
And the vermin of the world inhabit it …”







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