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	<title>Comments for Berkshire Review for the Arts</title>
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	<link>http://berkshirereview.net</link>
	<description>Classical Music, Opera, Theatre, Photography, Art</description>
	<lastBuildDate>Mon, 06 Sep 2010 07:18:39 +0000</lastBuildDate>
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		<title>Comment on Blurring the Line Between Romanticism and Modernism:  a review of the first weekend of “Berg and His World” at Bard College,  August 13—15: Berg and Vienna by Blurring the Lines, Part 2 The Bard Retrospectives: “Berg and His World,” Second Weekend &#124; Berkshire Review for the Arts</title>
		<link>http://berkshirereview.net/2010/08/berg-and-his-world-bard-music-festival-2010/comment-page-1/#comment-593</link>
		<dc:creator>Blurring the Lines, Part 2 The Bard Retrospectives: “Berg and His World,” Second Weekend &#124; Berkshire Review for the Arts</dc:creator>
		<pubDate>Mon, 06 Sep 2010 07:18:39 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=7527#comment-593</guid>
		<description>[...] part 1 of this review, I proposed that this view was controversial, and that many arguments could be [...]</description>
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<p>[...] part 1 of this review, I proposed that this view was controversial, and that many arguments could be [...]<!-- google_ad_section_end --></p>
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		<title>Comment on La Bête by David Hirson at the Comedy Theatre, London by Robin Campbell</title>
		<link>http://berkshirereview.net/2010/08/la-bete-comedy-theatre-london-2010/comment-page-1/#comment-587</link>
		<dc:creator>Robin Campbell</dc:creator>
		<pubDate>Fri, 03 Sep 2010 08:14:04 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=7333#comment-587</guid>
		<description>Could anybody tell me please the name of the music/singing played towards the end of La Bete?

Thank you</description>
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<p>Could anybody tell me please the name of the music/singing played towards the end of La Bete?</p>
<p>Thank you<!-- google_ad_section_end --></p>
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		<title>Comment on The Boston Symphony in the New Year: Levine Returns by Tanglewood: an updated 2010 Season Preview, and a Backwards Look at 2009 – James Levine not to appear. &#124; Berkshire Review for the Arts</title>
		<link>http://berkshirereview.net/2010/02/boston-symphony-january-2010-levine-returns/comment-page-1/#comment-577</link>
		<dc:creator>Tanglewood: an updated 2010 Season Preview, and a Backwards Look at 2009 – James Levine not to appear. &#124; Berkshire Review for the Arts</dc:creator>
		<pubDate>Mon, 30 Aug 2010 22:09:13 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=5722#comment-577</guid>
		<description>[...] left my opening sentence as it was, because Maestro Levine&#039;s cancellations are now routine. I wrote a defense of the Maestro back in February, and that still stands. Levine has improved the orchestra, [...]</description>
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<p>[...] left my opening sentence as it was, because Maestro Levine&#039;s cancellations are now routine. I wrote a defense of the Maestro back in February, and that still stands. Levine has improved the orchestra, [...]<!-- google_ad_section_end --></p>
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		<title>Comment on Zemlinsky&#8217;s Eine Florentinische Tragödie and Der Zwerg at Bard Summerscape 2007 by 2010 Bard SummerScape Festival presents the First U.S. Staging of Franz Schreker’s Opera The Distant Sound (July 30 – Aug 6) and a New Production of Oscar Straus’s Operetta The Chocolate Soldier (Aug 5 -15) &#124; Berkshire Review for the Arts</title>
		<link>http://berkshirereview.net/2007/09/zemlinsky-eine-florentinische-tragodie-der-zwerg-bard-summerscape-2007/comment-page-1/#comment-576</link>
		<dc:creator>2010 Bard SummerScape Festival presents the First U.S. Staging of Franz Schreker’s Opera The Distant Sound (July 30 – Aug 6) and a New Production of Oscar Straus’s Operetta The Chocolate Soldier (Aug 5 -15) &#124; Berkshire Review for the Arts</dc:creator>
		<pubDate>Mon, 30 Aug 2010 22:07:13 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=7220#comment-576</guid>
		<description>[...] the Festival is built, but not by the composer himself. In my recollection, Schumann’s Genoveva, Zemlinsky’s Eine Florentinische Tragödie and Der Zwerg, Szymanowski’s King Roger, as well as Meyerbeer’s [...]</description>
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<p>[...] the Festival is built, but not by the composer himself. In my recollection, Schumann’s Genoveva, Zemlinsky’s Eine Florentinische Tragödie and Der Zwerg, Szymanowski’s King Roger, as well as Meyerbeer’s [...]<!-- google_ad_section_end --></p>
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		<title>Comment on Mozart’s Idomeneo with Sir Roger Norrington and the Scottish Chamber Orchestra at the Edinburgh International Festival by Ralph Locke</title>
		<link>http://berkshirereview.net/2010/08/mozart-idomeneo-norrington-and-sco-edinburgh-festival/comment-page-1/#comment-572</link>
		<dc:creator>Ralph Locke</dc:creator>
		<pubDate>Sun, 29 Aug 2010 11:28:23 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=7622#comment-572</guid>
		<description>Thanks for this report on what was clearly a major Mozartian event!  I&#039;ve never heard the work live, though I still remember vividly my repeated encounters with Colin Davis&#039;s first recording of the work.

Your various descriptive details--the advantages of &quot;opera in concert,&quot; the wonderfully &quot;leathery&quot; violas--help me feel as if I was there myself....</description>
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<p>Thanks for this report on what was clearly a major Mozartian event!  I've never heard the work live, though I still remember vividly my repeated encounters with Colin Davis's first recording of the work.</p>
<p>Your various descriptive details--the advantages of "opera in concert," the wonderfully "leathery" violas--help me feel as if I was there myself....<!-- google_ad_section_end --></p>
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		<title>Comment on City of Art: The 17th Biennale of Sydney by Pretty things offscreen &#124; A life less digital</title>
		<link>http://berkshirereview.net/2010/05/sydneybiennale/comment-page-1/#comment-567</link>
		<dc:creator>Pretty things offscreen &#124; A life less digital</dc:creator>
		<pubDate>Sat, 28 Aug 2010 13:00:53 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=6416#comment-567</guid>
		<description>[...] this room by Melbourne artist Rosslynd Piggott. (There&#8217;s a picture of the room in the article here.) I stood alone and contemplated fogotten memory,  remembered experience and transient [...]</description>
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<p>[...] this room by Melbourne artist Rosslynd Piggott. (There&#8217;s a picture of the room in the article here.) I stood alone and contemplated fogotten memory,  remembered experience and transient [...]<!-- google_ad_section_end --></p>
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		<title>Comment on Unforeseen Unforeseen Circumstances: The Fall of Kevin Rudd by Australia Says No, Thanks: the Election of 2010 &#124; Berkshire Review for the Arts</title>
		<link>http://berkshirereview.net/2010/06/kevin-rudd/comment-page-1/#comment-561</link>
		<dc:creator>Australia Says No, Thanks: the Election of 2010 &#124; Berkshire Review for the Arts</dc:creator>
		<pubDate>Fri, 27 Aug 2010 06:53:49 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=6647#comment-561</guid>
		<description>[...] Unforeseen Unforeseen Circumstances: The Fall of Kevin Rudd [...]</description>
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<p>[...] Unforeseen Unforeseen Circumstances: The Fall of Kevin Rudd [...]<!-- google_ad_section_end --></p>
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		<title>Comment on City of Art: The 17th Biennale of Sydney by The 17th Sydney Biennale &#8211; Art Radar rounds up highlights, disappointments and critiques &#171; Art Radar Asia</title>
		<link>http://berkshirereview.net/2010/05/sydneybiennale/comment-page-1/#comment-557</link>
		<dc:creator>The 17th Sydney Biennale &#8211; Art Radar rounds up highlights, disappointments and critiques &#171; Art Radar Asia</dc:creator>
		<pubDate>Wed, 25 Aug 2010 08:02:28 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=6416#comment-557</guid>
		<description>[...] &#8220;The Biennale has a delightfully freewheeling and inclusive spirit, but it is the high standard of the art work, carefully selected and displayed, that makes the big exhibition so enjoyable at all its venues, not just Cockatoo Island &#8230; It helps that there is very little art of the ‘my three year old could have drawn that’ school. The easy pose of ironic detachment which sometimes puts people off contemporary art is almost completely absent, or is at least leavened by a political and conceptual eagerness which eloquently expresses the Biennale’s seemingly unwieldy theme, “The Beauty of Distance: Songs of Survival in a Precarious Age.&#8221; Alan Miller, writing in the Berkshire Review for the arts. [...]</description>
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<p>[...] &#8220;The Biennale has a delightfully freewheeling and inclusive spirit, but it is the high standard of the art work, carefully selected and displayed, that makes the big exhibition so enjoyable at all its venues, not just Cockatoo Island &#8230; It helps that there is very little art of the ‘my three year old could have drawn that’ school. The easy pose of ironic detachment which sometimes puts people off contemporary art is almost completely absent, or is at least leavened by a political and conceptual eagerness which eloquently expresses the Biennale’s seemingly unwieldy theme, “The Beauty of Distance: Songs of Survival in a Precarious Age.&#8221; Alan Miller, writing in the Berkshire Review for the arts. [...]<!-- google_ad_section_end --></p>
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		<title>Comment on Love Potion Opus 60: Strauss’s Ariadne auf Naxos at Tanglewood, August 2, 2010 by tiala</title>
		<link>http://berkshirereview.net/2010/08/strauss-ariadne-auf-naxos-tanglewood/comment-page-1/#comment-536</link>
		<dc:creator>tiala</dc:creator>
		<pubDate>Sun, 22 Aug 2010 04:27:27 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=7339#comment-536</guid>
		<description>Aloha, Malie tamasi&#039;i meihe kele&#039;amaka.&#039;oku fai ai &#039;ae polepole ha memipa hotau ki&#039;i famili masiva kuo ne fai me&#039;a ketau laukau ai.pea &#039;oku tau fakafeta&#039;i koe taleniti &#039;oku fakakoloa &#039;aki koe &#039;ehe &#039;Otua , &#039;oku ke hanga &#039;o faka&#039;aonga&#039;i ki he lelei taha &#039;ofa ke fakatapuaki&#039;i  &#039;e he &#039;Otua mone tataki ai pe ho hala moe ngaue &#039;oke ke fai. lotu moe &#039;ofa meihe Toetu&#039;u family.</description>
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<p>Aloha, Malie tamasi'i meihe kele'amaka.'oku fai ai 'ae polepole ha memipa hotau ki'i famili masiva kuo ne fai me'a ketau laukau ai.pea 'oku tau fakafeta'i koe taleniti 'oku fakakoloa 'aki koe 'ehe 'Otua , 'oku ke hanga 'o faka'aonga'i ki he lelei taha 'ofa ke fakatapuaki'i  'e he 'Otua mone tataki ai pe ho hala moe ngaue 'oke ke fai. lotu moe 'ofa meihe Toetu'u family.<!-- google_ad_section_end --></p>
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		<title>Comment on Love Potion Opus 60: Strauss’s Ariadne auf Naxos at Tanglewood, August 2, 2010 by Selueni Pupu'a Tuifua</title>
		<link>http://berkshirereview.net/2010/08/strauss-ariadne-auf-naxos-tanglewood/comment-page-1/#comment-519</link>
		<dc:creator>Selueni Pupu'a Tuifua</dc:creator>
		<pubDate>Fri, 20 Aug 2010 05:23:15 +0000</pubDate>
		<guid isPermaLink="false">http://berkshirereview.net/?p=7339#comment-519</guid>
		<description>I&#039;m very proud of my little brother and his success. Love you Ta&#039;u keep up the good work and best wishes and many blessings to you.</description>
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<p>I'm very proud of my little brother and his success. Love you Ta'u keep up the good work and best wishes and many blessings to you.<!-- google_ad_section_end --></p>
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