On Sunday, September 22 at 3 pm in McConnell Auditorium, I will have the pleasure of collaborating with my colleagues at Simon’s Rock and with the wonderful violinist Marka Young in performances of some of the greatest chamber music I know. The featured work is Brahms’ Piano Quintet in F minor, op. 34a, a cornerstone of chamber literature and a wonderful challenge for us as performers. I am humbly grateful to be able to work with such inspiring colleagues as Ron Gorevic, Marka Young, Eric Martin, and Anne Legêne in presenting this powerful and essential work.
In addition, Ron and I will offer Prokofiev’s astringent and electrifying Violin Sonata no. 1, also in F minor. We open with Mozart’s witty and gorgeous Trio in B-flat, K. 502.
Fortify your souls with great music at this equinocturnal moment as we look forward to cooler weather, changing colors, and moving indoors.
For further information, see the attached poster.
Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, Il Museo di Roma a Trastevere, etc. and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.
A tip for our readers: How to get the most out of New York Arts and The Berkshire Review for the Arts.
What if I hate reading on computer screens, even tablets?
We get occasional inquiries from readers about whether we plan to launch a print edition of our arts journals. The answer is that we've given it some thought, and we're still thinking about it.
It is not only our older readers who object to reading them online. There are even some millennials who would rather read from paper. One of our readers got the simple idea of using the sites as sophisticated tables of contents. She prints out each article on three-hole paper and files them in a loose-leaf album. I've devoted a lot of time to finding the very best print and pdf facility there is. Just click on one of the icons at the top right of the article and print!
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.