The Aston Magna season, the 45th(!), is almost upon us. We can look forward to an extended schedule, adding fifth and sixth weekends at the Brandeis and Great Barrington venues, which is no longer on the Simon’s Rock campus, but at the recently renovated Saint James Place.
The numerous offerings that make up the comprehensive 22nd annual Bard Music Festival, “Sibelius and His World,” take place during SummerScape’s two final weekends: August 12- 14 and August 19-21. Through the prism of Sibelius’s life and career, this year’s festival will explore the music of Scandinavia and examine the challenges faced by those who continued working within a tonal framework after the revolutions of musical modernism. Sibelius’s orchestral mastery was exceptional; his compositional output includes one of the most revered and beloved symphonic cycles since Beethoven’s and the most frequently recorded violin concerto of the 20th century, besides such favorites as Finlandia, Valse triste, and Tapiola.
Leon Botstein’s performance of Beethoven’s Eroica was one of transcendent clarity, color, and musical balance. I believe the members of the American Symphony Orchestra were aware of how well they played, and how convincingly Mr. Botstein’s interpretation was executed.