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Tag: C. P. E. Bach

Aston Magna is Back! Bach Father & Son, & Their Peers: J.S. & C.P.E Bach, Handel, Buxtehude

he announcement of this concert at St. James Place came as a very pleasant surprise. There’s no need to wait until June to hear an Aston Magna Concert! And that is certainly a event much-anticipated among early music lovers and Berkshire residents. Aston Magna regulars, Daniel Stepner, baroque violin, Laura Jeppesen, viola da gamba, Peter Sykes, harpsichord, and Andrea LeBlanc, baroque flute, will play excerpts from a central work by J. S. Bach, A Musical Offering, covering the basic styles of composition contained within it: canons, a fugue (ricercare), and a trio sonata, as well as sonatas—respectively for viola da gamba and violin, flute, and violin—by Buxtehude, Handel, and C. P. E. Bach. The selection from the Offering is especially sympathetic to the other works on the program, with the simpler ricercare (the one Bach was able to improvise on the spot, when Frederick the Great presented him with his theme and the challenge to write a fugue on it) and the Trio Sonata.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, Il Museo di Roma a Trastevere, etc. and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

The Wonder of Understatement: Eva Legêne, Wieland Kuijken, and Arthur Haas

Nothing in recent Berkshire performance memory could have prepared me for the extraordinary elegance of today’s recital with renowned gambist Wieland Kuijken, recorder virtuoso Eva Legêne, and harpsichordist Arthur Hass. Mr Kuijken, if you don’t know already, is a member of the renowned Belgian family of period musicians that includes violinist/conductor Sigiswald and flautist Barthold. Dutch-born Eva Legêne, a student of Frans Brüggen, was formally a professor of music at Indiana University and the Royal Danish Academy, and now lives and gives master classes in Germany. Arthur Haas, a student of Alan Curtis and Kenneth Gilbert, performs widely in Europe and teaches at Berkeley, Amherst, the Eastman School, and Stanford.

Seth Lachterman

About Seth Lachterman

Seth Lachterman lives in Hillsdale, New York, which abuts the Berkshires in Massachusetts. While dividing his past academic career between music (composition and musicology) and mathematics, he has, over past three decades written original and critical works on the Arts. His essays have appeared in The Thomas Hardy Association Journal, English Literature in Transition, and poetry in The Raritan Quarterly. As a charter member and past president of the Berkshire Bach Society, he provided scholarly program notes for the Society’s concerts for over two decades. His Bach essays and reviews have been referenced in Wikipedia and have appeared in concerts at Ozawa Hall and the College of St. George, Windsor Castle.  Simultaneously, he has been a principal at Encore Systems, LLC, a software and technology consulting company. A president emeritus of Walking The Dog Theatre of Hudson, New York, he has invented a new technology for insuring privacy in text messaging and for social networking. In 2012, he founded UThisMe, LLC. to launch this new technology. Seth writes regularly for Berkshire Review of The Arts. When not listening to music, Seth Lachterman reads philosophy with a current interest in Heidegger.

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