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Tag: Czesław Miłosz

Rok Miłosza (The Miłosz Year) Comes to Williams College: Inspired by Miłosz, a Tribute by Omar Sangare and his Students

Czesław Miłosz (proonouced Cheswav Meewosh), who died in 2004, was perhaps the best known of Polish literary men in the U.S., thanks to his 20-year tenure as a professor of Slavic languages at the University of Calfornia at Berkeley, where he carried on his work as an essayist, poet, fiction writer, and translator. While he could communicate and occasionally write in English, his poetry became familiar to American readers through translations published in magazines like The New Yorker. He became widely recognized as an ambassador from the land of exile, continually bearing the cross of his numerous emigrations. A Lithuanian Pole, he left for Warsaw under the German occupation. He received his education in Wilno (Vilnius), a city which was long a part of Poland, with many Polish associations, above all literary, since the two great nineteenth century poets, Adam Mickiewicz and Juliusz Słowacki, like Miłosz, spent their formative years there. A diplomat of Communist Poland in the U.S. and France, he sought political asylum in 1951 and lived as an expatriate intellectual in Paris until 1960, when he emigrated to the United States and claimed citizenship in the great everywhere and nowhere of academia. He won the Nobel Prize for Literature in 1980. After 1989 he divided his time between Berkeley and Kraków.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

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