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Tag: digital art

Joanna Gabler, Hoosic River in the Fall Art

Joanna Gabler, Our River, an exhibition of digital “Transcapes,” devoted to the Hoosic River and its tributary, Broad Brook

North Adams owed its development into a small but important industrial city to its abundant water supply, above all, the Hoosic River. Often this reliable source of power and drainage for its factories overflowed its boundaries and flooded neighborhoods of the city with its water, which eventually became toxic from the wastes of the textile and dyeing factories. In the 1950s the US Corps of Engineers constructed concrete flood control chutes some 45 feet wide and 10-15 feet high, funneling the two branches of the Hoosic River through North Adams’ downtown. Today the factories are gone. A smaller North Adams, with slightly over half the population it enjoyed at its industrial peaks around 1900 and 1950, must now rebuild its economy and quality of life.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

Joanna Gabler, Roots 2, 2013. Archival pigment print. Art

Berkshire Artist Joanna Gabler, “Emigrés – Where is Home?” at Gallery Ehva, Provincetown: October 25-November 5, 2013 – Opening Friday, October 25, 6-8 pm

Joanna Gabler,  “Emigrés – Where is Home?” at Gallery Ehva, Provincetown: October 25-November 5, 2013 – Opening Friday, October 25, 6-8 pm.
74 Shank Painter Road
Provincetown, MA 02657
(508) 487-0011

On view in the Gallery Ehva in Proveincetown is “Nature Transfigured,” an exhibition of works by Joanna Gabler, painter and photographer. The art in this exhibition is the fruit of  Joanna’s passion for photography and her quest for uncovering the mysteries of nature. Sensitive to color and form, she goes out into Nature, seeking her own personal vision. She considers her art to be inspired by and co-created with Nature. By using photography and developing it further through digital media as a creative tool Gabler’s goal is to add a new dimensions and possibilities to physical reality, which exist there in potential, remaining invisible until the artist’s inner eye discovers them. Gabler calls her images “transcapes,” because they are landscapes transfigured by her artistic vision.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, Il Museo di Roma a Trastevere, etc. and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

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