Curated programs were a new and determining feature of Tanglewood’s 2017 Festival of Contemporary Music. In three of the five concerts, repertory and performers were chosen by a performer-curator who selected works by composers with whom they had worked extensively. Each of the curators, pianist Jacob Greenberg, cellist Kathryn Bates, and violist Nadia Sirota had been at Tanglewood (as part of the New Fromm players) and had developed a significant career in playing and promoting new compositions. The result was a concentration of works by composers of varied backgrounds who are living and working in the United States, and of an age that can be described as “mid-career.” Each curator got to choose one work to be included on the final TMC Orchestra concert.
It is always fun when a new string quartet comes to town, especially when they bring strange and different music with them. György Kurtág is not very strange, but nonetheless somewhat rare around here, and more importantly excellent listening, so I’m grateful to the Kuss Quartet for bringing it, even if short, though holding its own among the more usual fair. And the encore of Mozart’s Cassation in C was entirely beyond the call of duty in such an enormous and dense program, especially considering the concentrated, caring manner of their playing.