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The End of Madama Butterfly at the Berkshire Opera Festival. Photo Ken Howard.

The Berkshire Opera Festival triumphs in Puccini’s Madama Butterfly

Musically, this summer in the Berkshires, there was one event that was truly exciting, in the sense of something important that was entirely new…or almost, as the people behind it made entirely clear. Several weeks ago I had the pleasure of interviewing the two impressive and engaging founders of the Berkshire Opera Festival, Jonathon Loy and Brian Garman, who promised to “bring fully-staged opera back to the Berkshires.” And this they have just fulfilled with a production of Puccini’s Madama Butterfly, that was in a way as perfect as an opera performance can get, considering that opera is the quintessence of imperfection among art forms—or perhaps that should be said of art itself. Musical and theatrical ability that was both solid and brilliant, imagination, good taste, and deep knowledge and understanding of the work and its authors flowed together with all the concentration and energy aroused by a new, make-or-break enterprise to create a performance that can only be described as an object lesson in how to perform opera—and a thrilling and moving one newcomers, casual opera-goers, and opera-makers alike can appreciate. The Berkshire Opera Festival has, within less than a week, made itself indispensible.