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Tag: Lalo

Andris Nelson conducts the BSO at Tanglewood. Photo Hilary Scott. Art

Two Weekends in the Country: The BSO and the Festival of Contemporary Music at Tanglewood, Jacob’s Pillow, the new Clark, Mass MoCA, and Boston Midsummer Opera’s Bartered Bride

As life in the city slows down, life in the country west of Boston ratchets up. I went out to the Berkshires to catch as much as I could of Tanglewood’s fiftieth Festival of Contemporary Music, this year curated by Boston composers and longtime Tanglewood faculty members John Harbison (a composition fellow in 1959) and Michael Gandolfi (a fellow in 1986).

About Lloyd Schwartz

Lloyd Schwartz, Senior Editor of Classical Music at New York Arts, is Frederick S. Troy Professor of English at the University of Massachusetts Boston and a regular commentator on music and the arts for NPR’s Fresh Air. For 35 years, he was Classical Music Editor of the Boston Phoenix. He is the author of three poetry collections and the editor of three volumes by and about poet Elizabeth Bishop, including the Library of America’s Elizabeth Bishop: Poems, Prose, and Letters. His poems, articles, and reviews have appeared in The New Yorker, The Atlantic, Vanity Fair, New Republic, Paris Review, Ploughshares, The Pushcart Prize, Best American Poetry, and, most recently, The Best of the Best American Poetry. He’s a three-time winner of the ASCAP-Deems Taylor Award for his writing about music, and the recipient of a grant from the Amphion Foundation for his writing on contemporary music. In 1994, he was awarded the Pulitzer Prize for Criticism.

The English National Ballet On Tour Spreads The Queen’s Diamond Jubilee Festivities

They dance with a keen sense of drama with a very fine feeling for the gestures on which a ballet turns. They have a special sense for the overarching form and thrust of the choreographer’s idea for each piece they danced, so the build-up of dramatic tension could be gradual, the feelings brought to each movement fitting and those important gestures could fit in in a restrained, even understated way. The dancers tend to give as much attention to their port à bras, which was very plastic, very tactile, as if pushing against the thickness of the atmosphere around them, as their leg- and foot-work, also with a careful attention to line, especially in the groupings at the cadence of a scene. They are extremely absorbing, giving something much more than the display of a Gala performance, despite the over-excited opening night audience.

About Andrew Miller

Andrew Miller writes mostly about music and theatre, especially ballet and opera.

He holds a Bachelor of Science degree from the University of Sydney, and once studied the piano and trombone.

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