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Tag: Man Ray

Paris aime la photographie II

The exhibition of Joel-Peter Witkin at the Bibliothéque Nationale is not a retrospective, but an arresting exploration of the photographer’s work over three decades. In collaboration with Witkin, the curators of Enfer ou Ciel (Heaven or Hell), on view until July 1, compare many of his most fascinating and well-known images to the library’s exquisite and significant collection of prints. Placed in an art historical context of similar imagery found in the prints of such artists as Albrecht Durer, José de Ribera, Rembrandt, Francesco de Goya, and Pablo Picasso, Witkin’s work is thus tangibly embedded within a tradition of symbolism and mythology, and the pondering of the human condition and its spiritual dimensions by great masters of Western art.

About Erin C. Devine

Erin Devine received her Ph.D. in Modern Art, with a focus on art since 1980, from Indiana University. Her dissertation, From Translation to Transgression: The Feminism(s) of Shirin Neshat, offers a more nuanced understanding of Neshat’s work, exploring the history of veiling in Iran, Orientalist imagery, and the misunderstandings and misrepresentations of veiled women in the U.S. Devine’s methodology includes critical writings on gender in Islam and an Islamist society, a socio-political history of Iran in the twentieth century, and postcolonial understandings of transnational feminism and the exilic/diasporic subject, all important to fully articulating new interpretations of Neshat that refute accusations of exoticization. Since completion of her Ph.D. in 2011, Devine has been appointed as an Assistant Professor of Art History at Longwood University in south central Virginia, where she is working on a manuscript based on her dissertation. Returning to work as a practicing artist in performance and video, Devine recently studied under Jonathan Harris at Anderson Ranch in Colorado and will be an Artist in Residence this summer at Cité Internationale des Arts in Paris.

Handel’s Partenope in Sydney

Though perhaps not one of Handel’s finest operas, Mr Alden’s production of Partenope plays up its farcical tendencies past the point of ridiculousness and vulgarity and never really climbs out of the dishwater. A farce, even the silliest one, is still emotional, in fact it depends on emotions, however simple, to work, but it becomes cold when played as a series of jokes without wit. In addition, for some cheap intellectualism, Mr Alden imposes references to Man Ray’s surrealist photography, but forced without honest reason, onto an opera which doesn’t even have any interest in being surreal, they become clunky and arbitrary.

About Andrew Miller

Andrew Miller writes mostly about music and theatre, especially ballet and opera.

He holds a Bachelor of Science degree from the University of Sydney, and once studied the piano and trombone.

It’s Twilight Time With the Australian Ballet

The Australian Ballet presents three short recent ballets which would seem at the surface to have nothing in common. In At the Edge of Night, first performed in 1997, but last performed 11 years ago, Stephen Baynes sets an impressionist ballet to seven preludes by Rachmaninov. The choreography, set design and costumes share the sensibility of the music, rolling subtly between nostalgia, longing, pining, contemplation, mild remorse, occasionally melancholy, ambivalence, poignant joy and other emotions only the piano can give a name. The brand new ballet, Halcyon by Tim Harbour, sets the Greek myth of Halcyon and Ceyx to dance with original music by Gerard Brophy. It is a particularly relevant myth about love oppressed by religion. The last ballet is Molto Vivace again by Stephen Baynes, first performed in 2003, but completely different in tone. It sets a light-hearted rococo comedy to Handel. All three are liminal, either touching, delving or diving into where phases change. We meet frontiers either as precise as the sea’s surface, or as blurred as half conscious memories, or as completely black and mysterious as that between life and death and the other.

About Andrew Miller

Andrew Miller writes mostly about music and theatre, especially ballet and opera.

He holds a Bachelor of Science degree from the University of Sydney, and once studied the piano and trombone.

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