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Tag: North Adams

Joanna Gabler, Hoosic River in the Fall Art

Joanna Gabler, Our River, an exhibition of digital “Transcapes,” devoted to the Hoosic River and its tributary, Broad Brook

North Adams owed its development into a small but important industrial city to its abundant water supply, above all, the Hoosic River. Often this reliable source of power and drainage for its factories overflowed its boundaries and flooded neighborhoods of the city with its water, which eventually became toxic from the wastes of the textile and dyeing factories. In the 1950s the US Corps of Engineers constructed concrete flood control chutes some 45 feet wide and 10-15 feet high, funneling the two branches of the Hoosic River through North Adams’ downtown. Today the factories are gone. A smaller North Adams, with slightly over half the population it enjoyed at its industrial peaks around 1900 and 1950, must now rebuild its economy and quality of life.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

A Tourist at the Opera, A Visitor’s Impression of the Northern Berkshires

The past week has provided one of the most rewarding experiences of my adult life for a variety of reasons. My first trip to the Northern Berkshires centered specifically in North Adams and Williamstown, Massachusetts and began on Canada’s West Coast—on Vancouver Island, where I live . My purpose was to attend an opening of Artists without Borders at the Brill Gallery, located in the historic Eclipse Mill in North Adams.

JC Scott

About JC Scott

JC Scott, currently serves on the Board of Tourism Victoria, as the Arts, Culture and Society representative, co-chairs the City of Victoria Public Art Committee, and is an Art Advisor to The Victoria Airport Authority. He designs sustainable resorts and places art in all his projects.

Artists Without Borders – Brill Gallery: Rydygier, Fujinami, Gabler

The Brill Gallery is situated on the ground floor at the north end entry of the Eclipse Mill, and the mill is the first major building as one approaches the city from the east. The recently renovated, enormous, four storey red brick, former textile mill is now full of art galleries, studios and live/work studio residences. Within the Brill Gallery, with its large north facing small pane industrial windows, the artworks were displayed studio style with paintings and photographs either framed or pinned, some hung, some leaning on walls from the floor, and all numbered, titled, catalogued, and priced. Natural and track lighting showed the works well and all the artworks themselves were of great quality and variety.

JC Scott

About JC Scott

JC Scott, currently serves on the Board of Tourism Victoria, as the Arts, Culture and Society representative, co-chairs the City of Victoria Public Art Committee, and is an Art Advisor to The Victoria Airport Authority. He designs sustainable resorts and places art in all his projects.

Sol LeWitt III: The ABCDs of Sol Lewitt

This exhibition at Williams College Museum of Art is supplemental to the immense retrospective installation at MassMoca in North Adams. In some surprising ways it reveals more of the evidentiary by-products of the thought process of the seminal conceptual artist than the spectacular realizations at MassMoca.

Richard Harrington

About Richard Harrington

Richard Harrington is a sculptor, printmaker, and installation artist residing in the Northern Berkshires.

Kreutzer Series no. 1 by Joanna Gabler Art

Joanna Gabler, Kreutzer Series: Gallery

After hearing Ani Kavafian and Mihae Lee’s recital of September 25, 2008 in Chapin Hall (reviewed here), Joanna Gabler felt inspired, especially by their playing of Beethoven’s “Kreutzer” Sonata. She went to her studio after the concert and began a series of  mixed media drawings which recreate the impression the Ms Kavafian and Ms Lee’s playing of the sonata made on her that evening. The works, which involve a complex monoprint-like process  created with water-soluble oils enriched by pen, pencil, and pastel overdrawings on layers of a very thin, semi-transparent paper and superimposed on a white background with an archival matte acrylic medium, took some time to complete, but they capture the immediacy of her experience in the concert hall.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

Sol LeWitt: A Wall Drawing Retrospective

This is intended as no more than a preliminary reflection on the retrospective installations which just opened at Mass MoCA and the Williams College Museum of Art—a first impression gathered when the galleries were full of people, some of whom I see all the time and others not in years. Amidst all the champagne, the personalities, and the excitement, the wall drawings still made their presence felt, rather powerfully, I thought. His measured forms and resonating colors were able to make their Platonic statement above all that mundane human static.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

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