Loading...

Tag: Oldcastle Theatre Company

A Singer’s Notes 139: Neil Simon’s Broadway Bound at the Oldcastle

Another excellent evening in the Oldcastle Theatre in Bennington. A uniformly fine and balanced cast riveted my attention in Neil Simon’s Broadway Bound. The cast expressed the shape of this play with uncanny skill. I can imagine it seeming long, but not with these wonderful players.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 138: A Comedy of Tenors at Oldcastle — More on Gore’s Prospero

The Tempest

I must say once more how much Nigel Gore’s Tempest at Shakespeare and Company has meant to me. He helped me to see what it really is. His loneliness dominated, and this was right. I will take this performance as a model of for my adventures on stage, and I thank him.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

Mauritius, by Theresa Rebeck at the Oldcastle Theatre Company, Bennington. Closes August 6.

You have only two days left to see Theresa Rebeck’s philatelic thriller at the Oldcastle Theatre Company in Bennington. By all means drop any other plans you may have and treat yourself to a show that is both gripping and tartly amusing, with its sour, disillusioned view of sibling relationships and human behavior inspired by desirable objects.

About Michael Miller

Michael Miller, Editor and Publisher of New York Arts and The Berkshire Review, an International Journal for the Arts, was trained as a classicist and art historian at Harvard and Oxford, worked in the art world for many years as a curator and dealer, and contributed reviews and articles to Bostonia, Master Drawings, Drawing, Threshold, and North American Opera Journal, as well as numerous articles for scholarly and popular periodicals. He has taught courses in classics, the English language, and art history at Oberlin, Rutgers, New York University, the New School, and Williams. Currently, when he is not at work on The Berkshire Review and New York Arts, he writes fiction, pursues photography, and publishes scholarly work. In 2011 he contributed an introductory essay to Leonard Freed: The Italians / exh. cat. Io Amo L’Italia, exhibition at Le Stelline, Milan, and wrote the revised the section on American opera houses in The Grove Dictionary of American Music. He is currently at work on a libretto for a new opera by Lewis Spratlan, Midi, an adaptation of Euripides’ Medea set in the French West Indies, ca. 1930.

Singer’s Notes 129: The Consul, the Tramp, and America’s Sweetheart at Oldcastle; Hamlet at Shakespeare & Co.; Kožená at Union College

Yet another success for this Company. There was vivid acting. Elizabeth Aspenlieder, as Mary Pickford, is an arresting actress, her voice resonant, her intentions clear. Ms. Aspenlieder enlivens every role she takes. She makes the character happen. There was an exceptional performance from David Joseph in the role of Charlie Chaplin. His work on the role, particularly the physical aspect of the character had a completeness which he imagined carefully and made his own.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 121: A Miscellany

So many things. First, you must get in your car, and go see Hubbard Hall Theatre Company’s The Crucible by Arthur Miller. The performances of David Andrew Snider and Erin Ouellette, the central couple of the drama, must be seen. Theirs were fully realized, lived in performances. Silence became a subtle participant. Their final dialogue was riveting. There was generosity between these actors. Not just listening, but generous listening, selfless listening.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 117: A Lion in Winter at Oldcastle, Tom Sawyer at Dorset, and BEMF’s Monteverdi Trilogy Online

Another outing for this rambling, aging play, this time a good one, expertly cast. The play itself leaves little to the imagination, the acting is all. Nigel Gore’s King Henry was a real tour-de-force. Unflagging energy, powerful and detailed at the same time, one of the best things I have seen him do. Let me say,at the outset,that I admire the whole troupe. They had done this over the top play in the afternoon, came back a few hours later, and gave it all they had. Christine Dekker made the role of Queen Eleanor her own. She gave a super detailed performance that only now and then turned sharp.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 116: the Wonderful Frank Kelley’s Schubert, Peter Schaffer and Paul Rudnick in Vermont

Let me say at the outset that Frank Kelley is one of my favorite singers. His sound is his own. Valuable singers sound like themselves, and no other. Mr. Kelley is a generous performer He gives it all he’s got. In this regard he reminds me of the great Norman Treigle. It was a frightening experience to be on stage with Treigle. So great was his concentration, you feared for him, and you feared for yourself. Mr. Kelley is a born story-teller.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A Singer’s Notes 99: Hubbard Hall’s 25th Annual Putnam County Spelling Bee and a Small, Brooklyn Opera Company Brings Two One-Acters to Oldcastle

Hubbard Hall’s 25th Annual Putnam County Spelling Bee was a wild and wonderful evening. I admired most that the company and its director, David Snider, were able to take a show, based on repetition, one contestant after another, and keep it moving.

Keith Kibler

About Keith Kibler

Twice a Fellow of the Tanglewood Music Center, Keith Kibler’s doctorate was earned at Yale University and the Eastman School of Music. He is one of the region’s most sought after teachers with students accepted at the New England Conservatory, the Juilliard School, Peabody and Hartt Conservatories, the Tanglewood Institute, and the Aspen Music School. Keith Kibler is an adjunct teacher of singing at Williams College.

A tip for our readers: How to get the most out of New York Arts and The Berkshire Review for the Arts.
What if I hate reading on computer screens, even tablets?
We get occasional inquiries from readers about whether we plan to launch a print edition of our arts journals. The answer is that we've given it some thought, and we're still thinking about it.
It is not only our older readers who object to reading them online. There are even some millennials who would rather read from paper. One of our readers got the simple idea of using the sites as sophisticated tables of contents. She prints out each article on three-hole paper and files them in a loose-leaf album. I've devoted a lot of time to finding the very best print and pdf facility there is. Just click on one of the icons at the top right of the article and print!
Click here to make your tax-deductible donation to The Arts Press, publisher of New York Arts and The Berkshire Review. Or click on the notice in the sidebar. The Arts Press is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the charitable purposes of The Arts Press must be made payable to“Fractured Atlas” only and are tax-deductible to the extent permitted by law.