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Tag: Urban Design

Les opéras dans la ville, première partie: le Palais Garnier (version française)

Imaginez un paon à l’Opéra de Paris. Après avoir emprunté le Métro de son nid au parc Bagatelle, il passe l’entr’acte en mangeant un canapé de huit euros. Lorsque nous regardons cet oiseau cultivé, ses plumes commencent à se mêler avec l’architecture de Charles Garnier. Le paon est-il la preuve que l’ornement vient de la nature? Certes, il n’est pas un oiseau “moderniste,” ses couleurs ne sont pas aussi nettes, aussi précises que, par exemple, le perroquet roi d’Australie. Son plumage est comme le Palais Garnier, subtil, dépendant des effets de la lumière et son grain, autant que de la couleur. Pour nous dans le monde contemporain, les bâtiments si ornés sont quelquefois difficile à lire. Cette architecture d’autrefois excite les sentiments flous, l’émerveillement plutôt que l’analyse.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

The Skin of this Onion is Delicious: Learning from Rue Rebière (English Version)

If Paris is a city shaped like an onion, formed of concentric rings as fortifications have been demolished and extended, then the site of the new îlot expérimental on Rue Rebière in the 17th arrondissement is the thin membrane just beneath the outer skin. The site is 620 meters long and only 12.6 meters wide, wedged between the Cimetière des Batignolles and the rue itself, which is what one might call a quiet street, or perhaps one too shy or cranky to admit cross-streets. Beyond the cemetery the Périphérique roars along a viaduct while on the other side of the street stands the rather impassive Lycée Balzac, not awful, not particularly inviting. It’s exactly the sort of unlovely site a young architect ought to love, particularly for housing, particularly for the social housing which has now been built here.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

La peau de cet oignon est délicieuse: les leçons de la Rue Rebière (version française)

Si Paris est une ville qui, grâce à ses fortifications successives, imite la forme d’un oignon, le site du nouveau îlot expérimental dans la rue Rebière au dix-septième arrondissement de Paris serait la dernière membrane avant la peau. Le site est 620 mètres de long sur 12.6 mètres de large, coincé entre la Cimetière des Batignolles et la rue Rebière, une rue peut-être trop timide ou même grincheuse à admettre les rues transversales. Au nord du cimetière gronde la Périphérique sur un viaduc et sur l’autre côté de la rue est le lycée Balzac, un bâtiment pas terrible, mais pas terriblement accueillant. C’est, en bref, exactement le genre de site à séduire un jeune architecte, particulièrement pour les logements et surtout les logements sociaux.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

The Best and Worst of Sydney Urbanism, 2011

Unlike movies or the performing arts, architecture is not seasonal. There is no year end rush in which all the Gehrys and Koolhaases are “released,” no popcorn summer in which the Barangaroos and Ground Zeros of this world try to blow out our eye sockets with their empty spectacle. Cities just go on and on; one must make an effort to pick a moment and look back if we are ever to figure out just what on earth is going on.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

The Barangaroo Review: Your concerns are important to us but we do not share them

The results of the “short, sharp” review into Sydney’s Barangaroo development project have been released in the form of an 87 page report in which the word “outcome” appears 88 times. Though all sides have declared some version of victory in its wake, it is hard to see the report as anything other than a final rubber stamp for the developer Lend Lease. Whatever its misgivings, the report requires no modifications to the current plans. Any critique is blunted by a salad of weasel words and praise for the “world class people working on Barangaroo.” Whether or not anyone has the power to undo this mess, it’s clear no one has the guts.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

East and West: 1 Bligh Joins Sydney’s Big End of Town

No matter how many corners they cut, cities find it hard to outrun their pasts. Early decisions, however casual, however pragmatic, have a way of getting written in stone so that even long after these stones have tumbled, their consequences remain in the correspondence between certain cardinal directions and certain values. However subtle the reality on the ground, north, south east and west take on indelible local meanings. If you stand on George Street and look east down Bridge Street in downtown Sydney, it is easy to perceive the original topography of Sydney Cove, or Warrane as it was known to the Gadigal people. Bridge Street dips down toward Pitt Street and then rises up more steeply toward the Botanical Gardens at the top of the ridge. Along the low point ran the Tank Stream, now covered over, Sydney Colony’s first supply of fresh water and the reason why the city is where it is.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

Métro insolite by Clive Lamming (English translation)

There is a type of city, familiar but seductive, which resists writers even as its charms produce no shortage of readers. Paris, of course, is the number one suspect in the line-up. Overwhelmed by the city and its stories, writers run the perilous risk of being reduced to that style which is simultaneously vague and soppy (The American Society for the Promotion of Bad Writing About Venice was founded to celebrate such writing). Paris is too much, always too much, an excess which perhaps demands a microscope rather than an Imax camera. This was George Perec’s approach in his famous Tentative d’Epuisement d’un lieu Parisien, a book as list of all that happens in one little corner of the city. Métro insolite is much more practical, but it too is an attempt to exhaust the inexhaustible.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

Métro insolite de Clive Lamming

Il y a une espèce de ville, familière mais séduisante, qui résiste aux écrivains lorsque ses charmes ne produisent aucun manque des lecteurs. Paris, bien sûr, est suspect numéro un dans cette parade d’identification. La risque pour les écrivains, périlleux, est d’être bouleversé par la ville et ses histoires, réduit à un discours à la fois vague et, souvent, gnangnan(La Société Américaine de la Mauvaise Ecriture de Venise existe à célébrer ce vaste genre de littérature). Paris est trop, toujours trop, et c’est peut-être cet excès qui exige un microscope au lieu d’un appareil Imax. C’était l’idée de Georges Perec dans son fameux Tentative d’Epuisement d’un lieu Parisien, un livre comme liste de tous ce qui se passait dans un petit coin de la ville. Métro insolite est beaucoup plus pratique, mais c’est aussi une espèce d’épuisement de l’inépuisable.

Alan Miller

About Alan Miller

Alan Miller is a graduate of the Sydney University Faculty of Architecture and holds a BFA in film from the Tisch School of the Arts at New York University. A fanatical cyclist, he is a former Sydney Singlespeed Champion. Alan Miller reports on cycling, film, architecture, politics, and other sports in his letters from Sydney. He won the 2011 Architects’ Journal Writing Prize.

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