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	<title>Comments on: The Music of Mozart&#8217;s Last Months: La Clemenza di Tito at Emmanuel, Die Zauberflöte at Salzburg under Furtwängler, 1951, and Beecham&#8217;s Requiem from Pristine.</title>
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		<title>By: Mozart&#8217;s Requiem Revealed: Georg Friedrich Haas&#8217;s 7 Klangräume zu Mozarts Requiem played by the Argento Contemporary Ensemble, Michel Galante, conductor, with the Andante for flute and orchestra, K. 315 with Paula Robison &#8250; NEW YORK AR</title>
		<link>http://berkshirereview.net/mozart-clemenza-tito-zauberfloete-requiem/#comment-22907</link>
		<dc:creator><![CDATA[Mozart&#8217;s Requiem Revealed: Georg Friedrich Haas&#8217;s 7 Klangräume zu Mozarts Requiem played by the Argento Contemporary Ensemble, Michel Galante, conductor, with the Andante for flute and orchestra, K. 315 with Paula Robison &#8250; NEW YORK AR]]></dc:creator>
		<pubDate>Fri, 23 Nov 2012 01:54:53 +0000</pubDate>
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		<description><![CDATA[[...] I finished my review essay on Mozart&#8217;s works the year in which he died, 1791, I listened to many of the different [...]]]></description>
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