The Bard Music Festival 2017: Chopin and His World—a Preview(Comments Off on The Bard Music Festival 2017: Chopin and His World—a Preview)
Many of us who attend the Bard Music Festival look forward to it with the same warm anticipation we once looked forward to Christmas. Two weekends are packed with music, much of it we’ve never heard before, some of it great, some good, some interesting. There are panel discussions and lectures to help tie it all together, usually pitched at a general educated audience, but always with surprises and things one didn’t know before. And there is a feast of discussion, with the musicians, with the speakers, and with each other. It’s not so much that there is music to be enjoyed and a historical context to learn: through the immersion in immediate, live concerts and contact with knowledgeable humans a unique experience emerges in which we can live this whole of sensual and intellectual pleasure, analysis, and a direct understand of the cultural and social whole in which the music was created. The difference between this and the traditional sources of background information available to concertgoers—i.e. program notes—is like a month in Paris against a travel brochure.
The Aston Magna season, the 45th(!), is almost upon us. We can look forward to an extended schedule, adding fifth and sixth weekends at the Brandeis and Great Barrington venues, which is no longer on the Simon’s Rock campus, but at the recently renovated Saint James Place.
Serenade for Haiti, Directed and Written by Owsley Brown, at the Berkshire International Film Festival, June 3
Among the rich offerings of the 2017 Berkshire International Film Festival, one of the most fascinating and important films will be Owsley Brown’s documentary, Serenade for Haiti. The film could be described as an extended visit to the École de Musique Sainte Trinité in Pétionville, a suburb of Port-au-Prince. Mr. Brown, who had made other films about music and its role in human society and spirituality, first visited the school in 2006, and was, as he has said, “greatly affected by what [he] found there.”
The New Opera to Present Bizet’s Carmen at Chapin Hall, Williams College, June 28 at 8 pm
More in this category
- An Interview with Wu Han and David Finckel: Life after the Emerson Quartet and an Upcoming Concert at South Mountain Concerts
- South Berkshire Concerts at Simon’s Rock, September 22, 3 pm: Larry Wallach, Eric Martin, Ron Gorevic, Anne Legêne, and guest artist, Marka Young, will play Brahms, Prokofiev, and Mozart.
- The Berkshire Beethoven Piano Project
- Tenores de Aterúe, Friday, November 30th at 8 pm, St John’s Church, 35 Park Street, Williamstown